Ivory Tower Writers Need Not Apply

When I wrote the poems in The Great Hunger, I was concerned about the state of the world’s food supply. I still am. More than ever. I’m increasingly concerned about the health of our shrinking planet. What can one woman do about the massive insults we have inflicted on the environment and on each other? Writing in a cocoon of comfort is not the answer.

In my writing group on Tuesday, we each spoke with passion about an issue and this piece of writing grew out of that passion.

Things We Cannot Change: The list includes B’s petitions for women’s rights, D’s vegan diet in the face of crap food, my rant against ubiquitous plastic. Maybe we take up such issues in vain, spitting into the wind, finger in the dyke so we don’t have to face the horror of a potential future that guarantees needless suffering, much of it avoidable if we could act in concert.

So many people survive on the edges of consumerism who either cannot act or who choose not to act. The very poor take what they can get. Living in poverty or in a food desert, they buy whatever is near, be it plastic wrapped or empty of calories. Then there are those with huge disposable incomes who prefer to be unaware that multiple cars, houses, jet planes and closets full of shoes cost the rest of us.

Smug in my perhaps ill-informed life, who am I to think I can change anything, armed as I am against an avalanche with a soup spoon. But, selfishly, I don’t want to plow on and not feel that I’ve done what I can to clean up the mess we’ve made. It’s not easy being a pilgrim, leaving the snug plastic world, but neither is it astrophysics. It takes open eyes, a little planning and a bit of courage to say to store managers, “No plastic please.” Maybe someone in line behind me will hear and take a similar approach. Or not. Hopefully, I’ll find a way to escape the plastic trap I’m living in.

Maybe I cling to what often feels like false hope rather than have no hope at all.

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Light & Tunnel

Social Media Explosion

For a long time I’ve been trying to grasp the fine points of social media and its benefits to me as a writer. Most of the time it feels like carrying Jello in my hands. Here’s why: each of many sites might be valuable and many of them need to be linked together. My social media list includes:

  • Face Book, a page and a personal timeline, Procrustean, annoying as hell, but necessary
  • Author Central, part of the Amazaon website, where all my books are visible and I can add events, but only if the event relates to a specific book
  • KVDbooks.com, my own website/blog, where you are now and have access to four pages that must be kept up to date
  • Goodreads, a reader-friendly site that is about to be scooped up by Amazon
  • Twitter, the famous short message thingy that I try to check/use daily
  • Linked In, a professional clearing house and meeting ground, has discussion groups and links to other professionals
  • Pinterest, visual, a hot new site that I first rejected, am now rethinking
  • Shelfari, similar to Goodreads, already connected to Amazon
  • Gmail, obviously, email is crucial
  • Hootsuite, yet to be tried, but useful for prescheduling blogs and Tweets if I ever figure out how to go on vacation
  • PicMonkey, a free site that allows cropping and editing visuals
  • Social Media Express, instruction in how to use all of these tools
  • You Tube, video and search engine

Makes a person dizzy, eh? A wise man, Brian Swartz, President of Colorado Independent Publisher Association, says one should never be more than one click away from a sale. I’m lucky that I’m not one click away from insanity.

So, What’s a Poem Made of?

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Our question this week comes from Katie:

Help me/us understand what makes something poetry -”A Poem?”

Wow, this could take all week! But let me think a minute. Here are a few definitions I’ve hauled around with me for some time:

Poetry is the rhythmic, imaginative expression of intense perceptions of the world. The key word here is perceptions. A poet’s job is to witness and experience the truth around us. It is not to preach or cajole or even express feelings, although well done, a poem conveys feeling. That is, it carries an experience from me to you in such a way that you feel what I feel in a particular instance.

Robert Frost, who certainly knew about feelings in poems, said, “A poem begins as a lump in the throat . . . a homesickness.” Well, that man could bring a lump to your throat. He used all the possibilities of language to bride the gap between poet and reader. He used rhyme and meter, blended sounds in consonance and assonance. And he never preached. Not even about good walls and good neighbors.

Shakespeare, bless him, said it best in A Midsummer Night’s Dream:

. . . imagination bodies forth

 The forms of things unknown, the poet’s pen

 Turns them to shapes and gives to airy nothing

A local habitation and a name.

This is a call for particularity, imagination, discovery, and a written structure that yields images in the mind. And compresses it all into what we come to know as a poem.

Great question, Katie. Thanks for chiming in.

My Lost Irish Life

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Dingle Peninsula, Ireland

A head cold is not big deal, but it does change the worldview for a while. As in, I turn on the TV, a rare thing for me. Between the coughing and the sneezing, etc., I am not much good for anything by the end of the day. So I take the doctor’s advice to rest. I lounge with the remote in one hand and a cup of hot tea in the other. And I watch myself watch TV. It’s an odd disconnect. I admire the new cars, delight in the cute spring clothes, envy the smooth skin and shiny hair on the models. I want to vacation in Estonia. Then the Inner Critic who often tells me I’m wrong when I write, tells me I’m a hypocrite. I don’t need or want any of those things that look so tempting. Maybe my vulnerability comes from a slight fever or the effect of the high-test cough medicine.

As some of you know, I was once determined to live what I think of as my Irish life. I would move to the west of Ireland for an extended visit, live modestly in a tiny cottage, walk or ride the bus, eat sensibly and spend my days writing. I would not need much. I could live in jeans and sweat shirts, own one pair of sturdy walking shoes, use the computer once a week at the library. I would be undistracted by the sumptuous life and its demands. I still believe in the need to reuse, repurpose, recycle and refuse the unnecessary. More and more I am committed to simplicity and responsible consumption. 

Obviously, I stayed in the US, but I still long for a pedestrian life that eludes me in suburbia. The barrage of advertising and the demands of the virtual world pull me away at times, tempt me to break my promise to myself to spend the best of my days creating stories and poems to contribute to the world.

If such a promise were easy would it be important? An easy promise is like giving up anchovies for Lent. I don’t like hairy fish, so that would get me no credit, karma-wise. I will probably resort to mindless channel surfing again tonight, but some part of me will be alert to the risk. And there is that stack of library books.

Tuesday’s Tip

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Today’s question comes from a conversation I had on Saturday at a writerly event. A woman seated at my table said that she has a book of inspirational poems that she has considered publishing. None of these poems have been published anywhere, and that set  my check-engine light blinking. If no one but family and friends has read the poems, how can she tell if it’s time to publish? And is my caution a bias on my part? Those of us who have devoted time, attention and money to studying the art and craft of poetry have a little problem with someone who rarely reads poetry and may not define it as we do.

But, this woman is entitled to her view and the world will not end, contemporary American poetry will not be tainted by a rush to publish without benefit of an objective editor/reader. So, I ask you, is the problem that the poetry engine is about to throw a rod or is that blinking icon on the dash a faulty indicator? I ask you, how do you decide a poem or a manuscript is ready to go public?

Writer Fatigue

A one-eared donkey.

Is it Friday yet?

 

For several days now I have struggled to get my work done. True, a visit yesterday to Caribou Coffee yielded a pretty good revision of a poem I’ve wanted to finish. Often a change of view will do that, give my battery a little jolt. This morning, though, I slogged through my journal, forced myself to the computer and did get a couple of time sensitive tasks finished. But there was no juice in any of them, only the minimal satisfaction of crossing them off the to-do list. What the h*&^?

Then it dawns on me: as my own boss, I don’t acknowledge my employee’s need for a vacation, even a long weekend. What an ass. Tonight I have a writing event, tomorrow morning another and Sunday afternoon another. Who schedules that much work on the weekend? Writers. Because many of us are otherwise employed, our writing and associated events take place after the daily grind and on weekends. Do I need to take my weekend in the middle? No, there are things in the middle of the week that I won’t miss. But maybe it’s okay to enjoy a game of computer mahjong or six between my daily work.

What do you, as a writer, do to recharge?