Since my first year in grad school I have read John Fowles’ The Magus repeatedly. I’ve read the original version and I’ve read the revised version he published twelve years later. There’s no counting the copies I’ve owned, including at one time a first edition and a signed paperback. They have all gone away, sold or donated or lost. I think with each reading that I’ve sucked out all the juice and don’t need the book anymore. And I’m always wrong. After a year or two, I drift back and realize that I want to read it again. That happened within the past couple of months, so I picked up a used paperback with ugly, forbidding cover art and opened it. Immediately I realized that the font was too small and that I had to hold it at arms length or suffer the consequences.
Because here’s the rub: pulp paper in newspapers and cheap paperbacks triggers asthma-like attacks where I cough uncontrollably. I got about ten pages into the book and had to give up, wrap it in a plastic bag and vow never again to be careless about buying a book. But I needed to read The Magus again, so I ordered a hardback, used but in very good condition. It’s on my coffee table with a book mark at Chapter 16. I’m going slow, savoring it. And making this copy uniquely my own. And finding new things to ponder and admire.
Back in love with the story and the style, I have penciled in an asterisk where Fowles quotes a brief passage from T. S. Eliot’s Four Quartets. That bit of poetry is crucial to the arc of the story. I’ve adding underlinings, squiggles in the margins, and dots to mark phrases I like. No one else will want this book. There’s a stain on the first page of the introduction where I dropped salad dressing. I think I’ll keep this copy. It’s still juicy and feeds the reader/writer in me.
Please, Read for Equality: catalog of unabashed gratitude by Ross Gay